Posts Tagged ‘Channel 4’

Andrew Garfield as Jack in Boy AITV repeated their 2009 drama Unforgiven last night in advance of the Hollywood remake with Mrs. Brad Pitt herself in the lead role, so it seemed time to bring this post off the back burner. When I started writing it Jon Venables had yet again been in the news, still generating vitriolic hatred on the message boards. With a public e-petition calling on Parliament to debate reintroduction of the death penalty, a frank and thorough examination of justice and what it means to be a civilised society is clearly urgently needed. If recent events have demonstrated anything, it’s that we have let go of our values. As the men and women who fought the war, physically or tactically, the ones who can remember what we lost and the hundreds of thousands who sacrificed their lives, pass away in greater numbers every year, the British sense of justice and the essential characteristic of valuing human life above all else is being diluted and dissoluted. [Technically not a word, I know. Sx] I’d been holding back on the article because I have two examples of the following and was holding out for a third, for a pair does not a trend make. Nevertheless:

Channel 4’s adaptation of Boy A and ITV’s Unforgiven are thematically similar in their contemporary examination of people released from high security prisons after serving a long sentence from a young age. Both deal with the consequences of a youth spent in incarceration and reveal the facts of the original crime episodically across the runtime.

What caught my attention about these programmes was the lone ranger role forced upon the protagonists and the stark juxtaposition between what had been taken from them and what the public still expected. Both dramas force the viewer to question the nature of justice in a free and fair society. (more…)

Advertisements

Just a quick reminder that This Is England ’86 starts tonight on C4 at Ten PM GMT.

Isn't this the legendary neighbour from Somers Town?.

It’s  queued up on my mum’s Sky+ and I shall be posting on the first installment soon.  Judging by the massive jump in hits, I’m not the only one disappointed not to see Jack O’Connell in this series. No word as to why that might be the case, but his filming schedule didn’t look so packed that they couldn’t have worked something out.

I’m keen to hear what you all think.

In other news- a medium storm is gathering around Natalie Portman’s best shot at being a grown up actress since, well Leon really. Black Swan, written and directed by everyone’s favourite indie-ish auteur Darren Aronofsky. If it weren’t for the fact that he has taken Rachel Weisz off the market the guy might be a little bit of a cinematic hero.Clearly flawed and fallible, as the best heroes are, but with unswerving clarity of directorial vision. After the acclaim and popularity of The Wrestler, he has big money behind him and it looks like he’s taking full advatage of the financiers and distributors’ newly assured faith. I’ll be  rounding up responses soon, but universal word  on the street is that Portman turns out  a career best and delves new depths of acting craft yaddah yaddah.

As can be expected, a deal of the more prurient attention is focused on the interface between Portman and co-star Mila Kunis’s, erm, face. Like so:Portman/Kunis facial interface

Whether that is relevant and necessary or merely hype-baiting showboating remains to be seen. Black Swan is touring festivals now and should start seeing limited releases from December.

Also on my radar: Somewhere, the latest offering from Copolla junior, is making the rounds.  The Illusionist looks fucking awesome and is garnering semi-culture (mid-way between pop and high) kudos. Written but never made by tragic clown Jacques Tati and now illustrated and animated by Belleville Rendez-Vous animateur  Sylvain Chomet. I’m gutted I haven’t been able to see it yet- it was the star feature at my former local ‘indie’ [well Picturehouse] The Duke of York’s and even made a popular encore. The Runaways has arrived. I’ll betray my ignorance and confess I had heard neither of them, nor Joan Jett, till this film entered production, as notable for Dakota Fanning being nearly grown up (eek) and Kristen Stewart purportedly doing acting (improbable), as for the biographical subject matter.

Also keep your peepers peeled for Skeletons which recently won the Michael Powell award at the 2010 Edinburgh Film Festival.

What’s new in your world?