Posts Tagged ‘social commentary’

Severance (Smith, 2006. UK)

Severance- headless suit***Minor Spoilers****

Standard splatterstock and largely predictable but with a few proper laughs. It’s almost a corporate Battle Royale, except the initial corporate downsizing storyline was written out and transplanted with a bizarre Revenge of the Hungarian War Criminals backstory. Which is apparently a comment on corporate responsibility and the culpability of the Western Arms Trade. Personally I think it’s just an excuse to kill off suits in varied and increasingly gory fashion while That Twat Danny Dyer blunders about making ‘comic’ lewd comments in his ludicrous mockney drawl. What Laura Harris Laura Harris stares pensively from windowcould possibly see in him is unfathomable. The male directors’ Wish Fulfilment Rule again. You know the one where no matter how old/aesthetically repellent/ socially incompetent you may be, the beautiful, intelligent and well-adjusted woman will fall for you, just because you’re the main character. Just like in life. Harris is a likeable actress and usually worth a watch, however her purpose here appears to be chiefly to act as an object of lust for the various derisible or simple two dimensional male characters. (more…)


Here it is folks. I haven’t even read back what I’ve written, but this is the first Liveblogging attempt. It’s pretty long, so I’m going to trial using  exerpts intead of full posts on the home page. Hope you enjoy!

********Warning Full SPOILERS*********

Sugarhouse (Love, 2007. UK)


A not quite middle aged white man traverses real London, beyond the City and the tourists, and though he is almost certainly a native, he seems uncomfortable out here, maybe in the heart of the city, perhaps as far afield as Zone 3. The graffiti tag stylising of the opening credits set the genre quite distinctly. British, urban, almost certainly gritty, dealing with class and poverty. Your standard inner-city drama/thriller I’d say. Oh, and Gollum’s in it as someone called ‘Hoodwink’ who I’ll bet is a kingpin drug dealer or gang lord type. Three to One.

Just in case we hadn’t noticed this man’s out-of-placeness, the handheld DV flags it up for us. His eyes light on a series of grotesques and caricatures as his unease becomes ours. Directed by Gary Love. He is accosted in a market café by Ashley Walters out of So Solid who earned his stripes and showed his chops in Bullet Boy. Here he seems to be playing some demented delinquent version of himself again. Less world weary than his lead role in that film.

As the altercation ends we see our man did intend to meet this capering rood boy Caliban, so what is he up to? He’s clearly involved in something over his head, that much is clear from the office attire and the way he gazes up at the high rise tower block they come to. A visually striking crane shot presents the block as something more than poorly-planned social housing for a moment, it is Hockney or one of those great American print artists. Then we snap down to ground level and it’s just somewhere you hope you won’t have to live. Or visit. (more…)