Posts Tagged ‘The Painted Veil’

I’m not a fan of online lists. I have tried to provide considered content on this blog and not lazy journalistic filler, but I have made a pledge to be less precious and post more often, so there will be a higher incidence of fluff betwixt the articles henceforth. In typically contrary fashion though, I have waited till list season has drawn to a close before casting my pearls of wisdom.
As best I can, I have tried to recall all the films I saw for the first time in 2011. This is a valuable exercise, at times surprising. I am always chiding myself for not keeping any kind of log of the films I watch or the books I read, or the gigs and shows I attend. I know it would serve me well when I am seeking new reads, or as a source of reference when compiling lists etc, but it just isn’t my style- I am not a meticulous keeper of records, I just like to absorb my culture (pop or otherwise) and move on. The drawback of course being a few months/weeks/days later I have no idea what I have consumed.

So: I can remember all four films I saw at the cinema I believe and LoveFilm helpfully lets me know what they’ve sent me. Anything from Blockbuster or on Television I’ve had to scrounge up from memory and I know there are significant omissions. I will cast an eye over my in-house collection and try to recall which are new additions. Still, there are about eighty odd on my list already, which isn’t bad considering I thought I’d hardly seen any films this year. I can’t even imagine the number I must have seen in the last five years.
That’s clearly far too many to summarise in one blog post so, in honour of the Year of the Apocalypse, I shall select twenty and review each in only one sentence- from these I shall nominate twelve  to receive a more considered appraisal over the next twelve days. Hope you enjoy.

Miyazaki's Ponyo

1. The Illusionist (Sylvain Chomet, UK/Fr, 2010)
Beautiful, elegiac paean to a bygone era and the inexorable loss that is fatherhood.

2. Mysterious Skin (Gregg Araki, US/NL, 2004)
Utterly tragic, desolate expose of the legacy of abuse.

3. Victor/Victoria (Blake Edwards, UK/US, 1982)
Unexpectedly risqué and open about gay lifestyles in the Seventies VV makes subversive use of Andrews’ impeccable voice. [Apparently it was made in the Eighties. Comment stands]
4. Scott Pilgrim vs. The World (Edgar Wright, US/UK/Ca, 2010)
Just perfectly put together: the look, the dialogue, the casting- someone finally perfected the formula.
5. The Kids Are All Right (Lisa Cholodenko, US, 2010)
There is nothing right about this film and no excuses either.

Mysterious Skin

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